General Papers
| Biblical Commentary and 'Samson Agonistes' |
Abstract
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Richard Serjeantson |
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| Paradise Lost, Optical Science and “the Organs of Fancy” |
Abstract
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Iain Malcolm McClure |
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| “From strict laws to large grace”: Gleanings from Milton’s Theology of History in Book XII of Paradise Lost |
Abstract
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Filippo Falcone |
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| Milton’s Strains: Paradise Lost, Richard Bentley and Rhetorical Rethinking |
Abstract
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Sophie Read |
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| Questions of Knowledge in _Paradise Lost_ |
Abstract
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Katharine Fletcher |
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| Trying and knowing: early modern literary forms and the uses of evidence, uncertainty and doubt |
Abstract
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Subha Mukherji |
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| The Search for Truth: The Miltonic Architecture of Francesco Algarotti's 'Newton for the Ladies' |
Abstract
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Pete Langman |
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Invited Presentation
| Milton, Manliness and Neo-Roman Liberty |
Abstract
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Rosanna Cox |
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| Newton in the 19th century: scientist or scholar? |
Abstract
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Rebekah Higgitt |
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| Here grows the Cure of all’: Eve and Alchemy in Paradise Lost |
Abstract
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Laura Knoppers |
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| Death and Calculus in Adam’s Lament (PL, 10. 720-844) |
Abstract
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Rachel Trubowitz |
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| Lost in Transcription: a palaeographer's view of Newton |
Abstract
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John Tone Young |
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| Milton, Galileo, and the Opening to Science |
Abstract
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Barbara K Lewalski |
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| Between Milton and Newton: the Cambridge Platonists Revisited |
Abstract
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Sarah Hutton |
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| Milton, Newton, Swift |
Abstract
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David Womersley |
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| The Hermes of Newton and Milton |
Abstract
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William R Newman |
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| Newton and the Structures of Heresy |
Abstract
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Robert Iliffe |
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| Milton and Newton: their Philosophical Context |
Abstract
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G. A. John Rogers |
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| Milton and Newton: Harmonies and Dissonances |
Abstract
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Stephen M. Fallon |
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| Milton and Priestcraft |
Abstract
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Justin Champion |
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| Milton, Newton and Creation |
Abstract
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Regina Schwartz |
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| Milton and the Remaking of Knowledge |
Abstract
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Nigel Smith |
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| All Eye, All Ear: Arian Epistemology in Milton and Newton |
Abstract
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John Rogers |
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University of Sussex, Falmer, Brighton BN1 9QN, United Kingdom. Contact email: newton-milton@sussex.ac.uk
Students bursaries have been awarded by Society for Renaissance Studies
PHOTOS HOME PAGE:
William Blake, English, 1757-1827 The Temptation and Fall of Eve (Illustration to Milton's "Paradise Lost"), 1808. Pen and watercolor on paper, 49.7 x 38.7 cm (19 9/16 x 15 1/4 in.). Museum of Fine Arts, Boston. Museum purchase with funds donated by contribution, 90.99. Photograph©2009, Museum of Fine Arts, Boston.
William Blake Newton 1795/circa 1805. Colour print on paper, 460 x 600 mm. Presented by W. Graham Robertson, 1939. Photograph©Tate, London 2008
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